Weimar: Between Cultural Splendor and Political Gloom
Bach Podcast ~ Toccata and Fugue in D Minor for Organ
Weimar is not all high culture. Thuringia is famed for its
Thüringer Rostbratwurst,
a unique sausage that has been produced for hundreds of years, its first written record
dating back to 1404.
The preferred preparation method for Thuringian sausage is roasted over charcoal
or on a grill rubbed with bacon. The fire shouldn't be so hot that the skin breaks.
However, some charring is desired. Usually, a Thuringian sausage is presented in a
cut-open roll and brushed with mustard.
Also recommended are Thuringian potato dumplings and the Thuringian Köstritzer
Schwarzbier, a dark beer that is said to have been endorsed by no less an authority
than Goethe himself.
DAY 4 / FRIDAY / MAY 14
BUCHENWALD MEMORIAL OR MORNING FREE
OVERNIGHT IN MARIANSKE LAZNE
In 1937, the Nazis constructed the
Buchenwald concentration camp, only eight
kilometers from Weimar's city center. In October 1950, it was decreed that
the camp would be demolished, however, the main gate, the crematorium, the
hospital block, and two guard towers escaped demolition. All prisoner barracks
and other buildings were razed. Foundations of some still exist and many others
have been rebuilt.
Buchenwald's main gate displays the camp slogan: Jedem das Seine (literally, "to each his own",
but figuratively "everyone gets what he deserves").
Covering 1,600 square metres, the exhibition on two floors of the former depot
is the largest on the memorial grounds. It was opened in 1995. Its design alludes
to the building's original function as a storage house. Cabinet-like steel shelves
open to become showcases in which evidence of the Nazi crimes is displayed and
insight is provided into the realities of a camp which existed in the midst of
the German people.
The exhibition comprises objects, pictures and documents as
well as biographies of the victims and the perpetrators. Accompanying texts and
a visitors' guide to the exhibition are available in English.
Buchenwald Concentration Camp
You May Stay in Weimar Instead of Visiting Buchenwald
Those who would prefer not to visit Buchenwald may elect instead to enjoy the morning in
Weimar, where there is much to see.
Goethehaus is where the famous writer lived from 1782 until his death in 1832.

The inside of Goethehaus, Goethe's home in Weimar
Built in 1777, Schiller's House is the oldest building and the only one of its type in
Weimar's Schillerstrasse. Schiller (1759-1805) bought it in 1802 as a
residence for himself and his family. By moving there he was near to his
friend and collaborator Goethe and close to the theater where his successful
plays were feted.
Visitors can tour
the whole house, including the kitchen, servants' room, living quarters, parlour,
Charlotte's room, the small reception room and the parlour-cum-study
in which he died in 1805.
Franz Liszt, perhaps the greatest pianist of all time, retired from performing
at the age of 35 and settled in Weimar in 1848 so that he could devote himself to composition.
He remained in Weimar until 1861.
The Liszt Museum pays tribute to the multifaceted artist, who was appointed Weimar’s
court musical director in 1848.
Not only did he re-invent piano-playing technique, but he also strove to get works
by contemporary composers performed in Weimar, often bringing in the composers
themselves, such as Hector Berlioz.
Supported by the Grand Duke Carl Friedrich and
the Grand Duke’s wife Maria Pavlovna, Liszt was successful in getting works by Richard
Wagner performed, who, at that time, was considered an insurrectionist for his
participation in the Dresden barricade fights. In 1850, the court, under Liszt’s
direction, brought the first performance of Wagner’s Lohengrin to the Weimar stage.

Das Hauptgebäude der Bauhaus-Universität Weimar
Weimar was the center of the
Bauhaus movement, one of the most important Design
Movements of the 20th century.
The world-famous Bauhaus School of Architecture and Applied Arts was originally founded in
Weimar. The museum contains about 500 exhibits
made by teachers and students of this avant-garde college.
Henry van de Velde established an arts-and-crafts school in Weimar in 1907
as the forerunner of the Bauhaus, and the museum also features several works
by this Jugendstil artist and his pupils.
In addition, the museum displays
pioneering works by
Walter Gropius (the Bauhaus’s first director).
The Russian painter
Wassily Kandinsky, considered the founder of abstract art, was invited to
Weimar by Walter Gropius and lived there from 1922 until 1925. This was a
period of intense production for Kandinsky.

Yellow-Red-Blue by Wassily Kandinsky, 1925
The Swiss-born artist
Paul Klee moved to Weimar in 1921 and taught at the Bauhaus.
He became a close friend of Wassily Kandinsky, who inspired him in his work.
The National Socialists (Nazis) denounced the Bauhaus for its
"degenerate art"
and Klee was forced to flee Germany.
Historic Tour of Weimar in 49 pictures
Bauhaus ~ Schätze der Welt ~ Interaktives Bilderbuch
Video in German with text of the video, also in German